Showing posts with label Showing. Show all posts
Showing posts with label Showing. Show all posts

Monday, 23 April 2012

Diametric at Podspace

From the Diametric exhibition at Podspace, 2012
SIMONE PATERSON
Simone Paterson's Diametric exhibition opens at Podspace April 26. The work result from her residency at Artspace in Sydney. Here's what Simone has to say:

Visual art offers us the opportunity to reflect on the human condition and provides us with a way to transform our understanding. In a time of increasing reliance on technology it is the practice and study of new media itself, the aesthetic and philosophical concerns that can clarify our position within the world. In the exhibition "Diametric" I employ a range of contrasting art-making techniques including traditional craft, such as sewing and fabric casting, as well as computer technologies such as interactive software, digital video visual effects and digital imaging. The combination of techniques is a deliberate strategy to blur the boundaries between art, craft and digital reproduction. This method of working could be classified as “post new media” i.e. a collision or coalescence between traditional and new media techniques.

Friday, 13 April 2012

Eileen Kuzmic: Beyond the Archive


Beyond the Archive, 2011
EILEEN KUZMIC


Eileen Kuzmic's work from the Constructing With Light course in semester two 2011 has been accepted into the The Care Leavers Australia Network (CLAN) National Museum. Eileen's project for Journey Beyond the Archive responded to Australia's Forgotten Generation using archives to discuss a sad chapter in Australia's social history. Eileen's statement about the work follows and we send out a heart congratulations for a stelar effort.

Beyond the Archive
Memory echoes the experience of a lifetime. If that experience is tainted a haunted memory erupts in place of peace. The childhood loss of family, home and familiar surroundings is enmeshed with the experience of institutional abuse. Memory is haunted with the notion of what is lost, what has happened and what could have been. With no memory markers in family and no link to past comfort; past memory becomes a disturbed link that collides with new memory.

Traces of pain are deposited within the individual, family and within the home; infecting the community. A need to remember and be remembered is vital to heal the damage of past and present memory.

Thursday, 29 March 2012

Sydney Shows

Work in progress, 2012
SIMONE PATERSON
A couple of weeks back second and third year Photomedia students at UoN went to Sydney to see a number of photographic shows and to hear Simone Paterson present her current research as part of her Artspace residency. On the day Simone mentioned a few works and has kindly submitted some links for further research. Bill Viola's Ocean Without a Shore at the Venice Biennale in 2007 was one, Laurie Anderson was another and the link to the iPad app mentioned can be found here. You can see Simone's work on her website, or follow her blog for the latest. Don't forget that Simone will be here soon and will give a more in depth talk about her practice on May 2.

Tuesday, 13 March 2012

Showing: Magnum Contact Sheets

  Image: Burt Glinn- Spain. Sagaro. 1959. Twenty-five-year-old Elizabeth Taylor
on the set of "Suddenly Last Summer", in which she co-stars with
Katharine Hepburn and Montgomery Clift, (detail).
COPYRIGHT: BURT GLINN/MAGNUM PHOTOS
Sydney's Stills Gallery is hosting Magnum Contact Sheets, an intriguing exhibition of contact sheets from some of Magnum's best photographers. With Art Month in full swing, the revamped MCA about to open and Head On in the distance, Sydney is the place for inspired art.

Monday, 12 March 2012

Look Out: Conor Ashleigh

CONOR ASHLEIGH
Conor Ashleigh's Our World Unseen exhibition is currently on at the Lovett Gallery in Newcastle. Conor's keen sense of moment, colour, emotion and light is beautifully highlighted in photographs that grab attention and hold the gaze. Whilst Conor's photographs are strongly grounded in the journalistic, the sense of mood prevailing commands considered readings. The exhibition has a couple of weeks left to run, and we strongly recommend you catch it. Second and third years students are reminded that Conor will be giving a special talk at Lovett Gallery on March 24 at 9.30am. Check Blackboard for full details. We also suggest keeping an eye on Conor's blog to see what he's up to.

Thursday, 23 February 2012

Showing: Shan Turner-Carroll

From the exhibition Re'im
SHAN TURNER-CARROLL
Opening tonight at Watt Space is Shan Turner-Carroll's whimsical exhibition Re'im. The exhibition centres around the family property where he, his sister and his brother grew up. Conjuring memories of times past, the series calls to mind the experience of play, of alter egos, dreams and hopes dashed. There's far more lingering underneath the surface. Shan's work invites the viewer to plunge its depths and remember. Be sure to check other photographic work by Zyanya Walker and Emilie Caillot also opening tonight.

Thursday, 8 December 2011

WAM: Josie Smith

Untitled
JOSIE SMITH
Recently Photomedia and Printmedia students at UoN were involved in the Wearables As Media exhibition in Hong Kong. Photography studeny Josie Smith looked to the people for whom fashion really is a luxury. Josie's portraits of the homeless men above focus the viewer's attention onto the clothes and to the dignity of the sitter.

Monday, 7 November 2011

The Cartographer

The Cartographer
JANE SHADBOLT
Jane Shadbolt's The Cartographer is screening at the University this Thursday, November 10 at 4pm
in the Production Studio, DCIT Building. There will be nibblies following the eleven minute visual feast. Highly recommended.

Tuesday, 25 October 2011

She shot the chef

Bryon Daniow
ANNA MOREWOOD
Congratulations go out to former student Anna Morewood, who is one of the finalists for this year's
Shoot The Chef
competition. Anna Morewood's shot of Bryon Daniow shows that many hands
really do make light work, and we wish her well.

Wearables As Media in Hong Kong



Wearables As Media, Kowloon
INSTALLATION VIEW
Hong Kong Baptist University's Koo Ming Kown Exhibition Gallery is currently hosting WAM
(Wearables As Media), an exhibition of work from students and staff of the Hong Kong Baptist
University (HKBU) and the University of Newcastle (UoN). Responding to the notion of
Wearable As Media, students from both institutions grappled with the creation of new work
in relation to their environments. UoN's Print and Photography students collaborated with each
other while responding to work created by HKBU students in the previous semester. These installation images give an idea of the work produced with images of actual work to follow in upcoming posts.
If you're in Hong Kong in the coming weeks be sure to check it out.



Friday, 30 September 2011

This Is Not Art is on

TINA has kicked off. Click here for program information. Get out and about and explore what this vibrant festival has to offer over the long weekend.

Sunday, 25 September 2011

In residence

JEAN-LOUIS KOCHER
Jean-Louis Kocher's in gallery project at Watt Space is starting to shape-up nicely. With a simple studio set-up, Jean-Louis has created a series of portraits forming a who's who of Newcastle's art scene. Drop by the gallery to add your picture to the wall and to his blog, Am I Art. We're looking foreard to seeing more and more portraits over the next week. While you're there don't forget to see the work of other students in the Artist In Residence project including Barbie Procobis and her achingly beautiful drawings.

Thursday, 22 September 2011

Veritable festival

Watt Space is currently showing several terrific exhibitions. We mentioned Allan's show earlier, but also on is: ClickBloom featuring photomedia students Sarah Garrad, Kathleen Mackay and Matthew Malia; Susanne Beaven's The Insect World; Depictions by Mary van Gils; a collaborative show by Chris Brown and Neal Booth called The Little Things; and A Fascination with Process 2 featuring a stellar cast including Alex Chapman, Gany Erlano, Jean-Louis Kocher, Sigourney Nicholson, Mana Marguerite and Barbie Procobis. If you've not been to see the shows yet, then get down there soon. Only a week and a bit to go!

Wednesday, 7 September 2011

Clickspace: Roger Hanley

Roger Hanley's poignant Your Silence is Killing Us is on now in Clickspace. Comprising over one hundred images, the work documents Roger's recent trip to Syria giving an engaging viewing experience. The images display a warmth and trust so often missing in portraiture. Roger describes his experience with ardor noting how friendly and hospitable he found everyone to be despite the changes taking place in an increasingly unstable region. Roger was there just as the Egyptian Revolution was unfolding close by. The images that follow barely scratch the surface and aim only to give an indication of this compelling series. Roger's statement is below which gives greater insight into the work. To get the full picture visit Photomedia at the University of Newcastle.





ALL IMAGES BY ROGER HANLEY
Your Silence is Killing Us
In January this year, I spent three weeks in Syria. It is a complex, fascinating country. I found the Syrians, in all their bewildering ethnic and religious variety, some of the friendliest, most hospitable people I’ve ever met. Though when I was there it felt safe, calm and peaceful, every television I saw was tuned to Al-Jazeera and Al-Arabiya, all eyes watching the Egyptian Revolution unfold almost next door.

In theory, Syria should have been next in line for a similar flowering of what has become known as the Arab Spring, given its bitter history of dictatorship, but in practice, it didn’t seem possible, such was the grip of fear in which the regime of Basher al-Assad held the nation. I found it very difficult, almost impossible, to talk openly with Syrians about the government. They were very reluctant, always deflecting my questions or changing the subject. One expression I did hear though, was “In every group of three people, one of them is Assad”, referring to the insidious web of government spies and informers who keep watch over the people. And even in that short period I saw numerous, small examples of the casual, sometimes ruthless arrogance of the government.

But just five weeks after I left, the barrier of fear, astonishingly, came tumbling down, as protests over the arrest and torture of a group of young boys in the southern town of Deraa swept over the country. These protests, mostly peaceful, and incredibly heroic, have continued every day for over five months, despite a vicious crackdown by the regime in which at least 2,200 people have been killed, 15,000 arrested and as many as 3,000 have disappeared.

It is impossible to know how the Syrian Revolution will play out. It is not nearly as simple in physical or human terrain as Libya, and Western governments have been muted at best in their actions over the crisis, in contrast to Egypt, Tunisia, Yemen and Libya. I dig for information most nights, dreading the news of fresh slaughter that I too often find.

These photographs are a snapshot of the Syrian people, in places such as Damascus, Aleppo, Palmyra, Hama and the Krac des Chevaliers. Some of them, as they protest for the fundamental rights which we (so foolishly) take for granted, may even now be in the sights of government snipers.

Our silence, almost as much as the dictator Assad, is killing them.

Roger Hanley

You can see more of Roger's work here.

Tuesday, 6 September 2011

Eat: History


Learning to cook (left) and at the show (right)
History Week is off and running with EAT History. Between 3 and 11 September a number of community groups, local councils, libraries, archives, museums, universities, cultural institutions, professional and amateur historians across the state will open their doors to some captivating exhibtions looking at our rich history in relation to all things edible. Close to home in the Lovett Gallery on Laman Street, there is a terrific show documenting Newcastle's fascination with food. Told through a combination of photographs and collections, the exhibition gives insight into our relationship with food and its production including past methods, fads and daily life. It's on for only a short time so be quick.


New tech vs old tech

Fragmented closure, digital prints & sepia toned gelatin silver photographs, 813mm x 1220mm
KRIS SMITH

Kris Smith has been busy in the darkroom creating a new work for the Tracing Site exhibition opening at Newcastle Museum this Thursday. We're not sure if Kris is the first to take an iPad into the darkroom and use it to create an image with help from a trusty enlarger, but we reckon he must be up there. The image above comprises both digital and analogue photographs representing in a physical way the integration of old and new technologies. Kris speaks of the work as 'referencing the fact that so-called outmoded technology underpins and is embedded into the new. In a reversal of this, the new embedded into the old, the iPod/iPhone screen is used in a literal sense, via a projection lens, to create an image on traditional photographic paper.' The image below is a detail of an analogue component.

Fragmented closure (detail)
KRIS SMITH

Thursday, 1 September 2011

Short list: Classified

JEAN LOUIS-KOCHER

Classify Me opened at Watt Space last week featuring a number of Photomedia students. Our congratulations go out to all prize winners and to everyone who had work accepted for exhibition. The image at right is from current student Jean Louis-Kocher. The pixelation of cigarette and lighter suggests that the subject knows we're looking on as she engages in an increasingly unsociable habit. Is this the next step after plain paper packaging comes in?

Wednesday, 31 August 2011

Tracing Site at Newcastle Museum

Coming up at Newcastle Museum is part two of the Tracing Site exhibition featuring the work of Fine Art staff members Brett Alexander, Miranda Lawry, Angela Philp, Pam Sinnott and Kris Smith with work also by Trevor Weekes and Patricia Wilson-Adams. The opening is on Thursday September 8.

Friday, 12 August 2011

Carnivale... You once loved me

RYAN FITZGERALD
Ryan Fitzgerald's exhibition, Carnivale... You Once Loved Me opens tonight at Tipsy Orchestra Boutique/Studio. The opening promises to be loads of fun as we can expect glass eaters, nitrous bingers, side shows and freak shows, and to really get the mind boggling, flagrant swingers. Ryan's images are taken from a carnival held near Nobby's Head at the beginning of the year. If the invite is anything to go by, we're in for a wild ride kicking off at 6pm at 14 Thorn St just off Hunter St Mall. While in the neighbourhood, don't forget Site Tracing opens at the Lock-up Cultural Centre, also from 6pm.

Tuesday, 9 August 2011

Site Tracing: Culture, identity site & place

KRIS SMITH
Opening this Friday at the Lock-Up Cultural Centre is Site Tracing: Culture, Identity, Site and Place featuring our colleagues Brett Alexander, Miranda Lawry, Angela Philp, Pam Sinnott, Kris Smith, Trevor Weekes and Patricia Wilson-Adams. Responding to the Tracing Site Public Participation Project, the artists have put togther an experimental installation that is bound to excite the senses. Site Tracing opens this week and runs to 28 August 2011 with opening night Friday from 6pm.